solo
PIANO
Loge♭4 - four movement suite (2014) *
For pianist Calista Yeoh
Preludes - I "Waves by the Sandstone" (2014)
- II "Resonances" (2015)
Images for piano - I "Jasper" (2015)
For pianist Sally Whitwell
PERCUSSION
Texturised (2018)* - percussion and electronics
For percussionist Salina Myat and the SONANT BODIES Exhibition
Bronze Echoes (2020)* - Dong Son Drum and electronics
Commissioned as part of RE:SOUNDING for BLEED FESTIVAL 2020, Supported by the Australian Arts Council and CreateNSW
FLUTE
Modes of Transportation - two movements for (2017) *
I: Two-Step (C flute)
II: Steam and Electricity (bass and C flute)
For flautist Sarah Monk and TINA Festival
CELLO
Red Earth, White Clay (2018)*
For cellist Nicholas McManus and the SONANT BODIES Exhibition
Sonata No. 1: On a Dreary Night in November (2020)
For cellist Daniel Pini
VIOLIN
Sonata No. 1: The Nemophilist (2020)
For violinist Isin Cakmakcioglu
chamber
CHAMBER OPERA
I Lost My Phone (2014)*
libretto by Alison Marshall, conducted by Richard Gill OAM
piano: Jack Symonds, soprano: Deepka Ratra, baritone: Hayden Barrington, percussion: Adam Cooper-Stanbury
The Opera Project 2014
MULTIPLE PIANOS
Waltz in Atonality - two pianos (2013) *
Nominated for ENCORE 2013
Automation - five pianos (2015)
WIND QUINTET
Velasquez in a Room of Fire (2017)*
Commissioned by the Art Gallery of NSW, Chamber Music Series
RENAISSANCE
À Aurore * - tenor viol/viol d'arco, viola da gamba, soprano, portative organ (2018). Text by George Sand.
Commissioned by the Art Gallery of New South Wales Foundation
For the Lady and the Unicorn Exhibition AGNSW 2018 and Josie and the Emeralds
SAXOPHONE QUARTET
A Room Full of Smoke (2016)*
For the Petrichor Saxophone Quartet
MULTIPLE HARPS
Endymion and Selene (The Shepherd and his moon) (2014)* - two harps
For harpist Alice Giles
Medusa - five harps (2016)
For the Sydney Conservatorium Harp Ensemble
MIXED ENSEMBLE
The Great Liberation of Hearing (Chapter 11: The Tibetan Book of the Dead) - string orchestra, percussion, solo alto, spoken male voice (2013)
Canamus Supernae Laudesque (Let Us Sing Heavenly Anthems) - SATB choir and string trio (2013) *
There will come soft rains - electric guitar, bassoon, Bb clarinet, piano (2016)*
Dismemberment (the Hallucinations of Manfred) - Eb Clarinet, Bb Clarinet, violin, viola, piano (2016) *
Underground Networks - bassoon, flute, marimba (2016)*
Commissioned by the Art Gallery of NSW and Chamber Music Series
Vue du Balcon: Impression no. 1 - flute, clarinet Bb, violin, 'cello (2018)*
Commissioned by the Art Gallery of NSW and Chamber Music Series
vocal & choral
CHORAL
Autumn - SATB acapella choir, text by T.E. Hulme (2015) *
for the Sydney Conservatorium Chamber Choir
Canamus Supernae Laudesque (Let us Sing Heavenly Anthems) - SATB choir and string trio (2013) *
Chalice - SATB acapella choir or four voices (2014) *
Eyes that last I saw in tears - SSAA treble choir, text by T.S. Eliot (2015) *
for Gondwana Cantique
Emancipation - SATB acapella choir, text by Emily Dickinson (2016)*
for Gondwana Chorale
Mutterwasser- SATB acapella choir, text by Nelly Sachs (2017)*
Commissioned for the Out of The Shadows: Rediscovering Jewish Theatre and Music Festival 2017 for Sydney Philharmonia Choirs VOX Ensemble
CHILDRENS CHOIR
Where the wild things grow - SSAA and piano (2016)*
For Julia Henshaw and the Sydney Girls High School Choir
RENAISSANCE
À Aurore *
Commissioned by the Art Gallery of New South Wales Foundation
text by George Sand, for Josie and the Emeralds
(tenor viol/viol d'arco, viola da gamba, soprano, portative organ)