Victoria has worked as an editor, copywriter, proofreader and writer. She is the Deputy Chair and Editor of Runway Journal, and served as the is the Editor-in-Chief of Debris Magazine (2023-2025) and the Book Review Editor for the Cambridge Journal of Archaeology (2021-2022).
As a writer, she has worked as an essayist, interviewer and art critic for print and digital journals. In print, she has written for Soft Stir, Art Collector Magazine, and Artist Profile, amongst others. Her debut book, red Mother, red Sky, will be published in 2025 by Spineless Wonders.
ART, CULTURE, CRITIQUE
2025 — Roots of Sound, Planted Journal
unprojects, 19.1
2024 — Soft Stir, vol. 3
2023 — Speak Percussion, filament program
The Conservation w/ James Nguyen
2022 — MeMO Review, Clay Dynasty
A Choreography of Stillness, Runway Journal x Parallel Conversations
2021 — Footsteps around Peterborough, Metal Culture
Opera Australia and the expense of Orientalist Spectacle, Decolonial Hacker
Coming Home to a Saigon Summer, Kill Your Darlings
Artist Profile, vol. 60
2020 — RE:SOUNDING - Mystery of a Drum, ADSR Zine 009
ACADEMIC & SCIENTIFIC PUBLICATIONS
Pham, V. A.-V., & Fletcher, R. (2024). Negative Space: An Alternative Framework for Archaeoacoustics. Journal of Cognition, 7(1): 6, pp. 1–17. DOI: https://doi.org/10.5334/joc.331
Co-authored
Taylor, W. & Fantoni, M. et al. 2020. ‘Horse sacrifice and butchery in Bronze Age Mongolia,’ Journal of Archaeological Science: Reports, p. 1-8.
Taylor, W.T.T., Clark, J., Bayarsaikhan, J. et al. Early Pastoral Economies and Herding Transitions in Eastern Eurasia. Sci Rep 10, 1001 (2020). DOI: https://doi.org/10.1038/s41598-020-57735-y