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Victoria has worked as an editor, copywriter, proofreader and writer. She is the Deputy Chair and Editor of Runway Journal, and served as the is the Editor-in-Chief of Debris Magazine (2023-2025) and the Book Review Editor for the Cambridge Journal of Archaeology (2021-2022).

 

As a writer, she has worked as an essayist, interviewer and art critic for print and digital journals. In print, she has written for Soft Stir, Art Collector Magazine, and Artist Profile, amongst others. Her debut book, red Mother, red Sky, will be published in 2025 by Spineless Wonders.

ART, CULTURE, CRITIQUE

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2025  Roots of Sound, Planted Journal

                    unprojects, 19.1

2024  Soft Stir, vol. 3

                    Fine Print Magazine, issue 31

                    Disclaimer Journal

2023  Speak Percussion, filament program

                    The Conservation w/ James Nguyen

2022  MeMO Review, Clay Dynasty

                    A Choreography of Stillness, Runway Journal x Parallel Conversations

2021   Footsteps around Peterborough, Metal Culture

                    Opera Australia and the expense of Orientalist Spectacle, Decolonial Hacker

                    Coming Home to a Saigon Summer, Kill Your Darlings

                    Artist Profile, vol. 60

2020  RE:SOUNDING - Mystery of a Drum, ADSR Zine 009

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ACADEMIC & SCIENTIFIC PUBLICATIONS

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Pham, V. A.-V., & Fletcher, R. (2024). Negative Space: An Alternative Framework for Archaeoacoustics. Journal of Cognition, 7(1): 6, pp. 1–17. DOI: https://doi.org/10.5334/joc.331

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Co-authored

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Taylor, W. & Fantoni, M. et al. 2020. ‘Horse sacrifice and butchery in Bronze Age Mongolia,’ Journal of Archaeological Science: Reports, p. 1-8.

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Taylor, W.T.T., Clark, J., Bayarsaikhan, J. et al. Early Pastoral Economies and Herding Transitions in Eastern Eurasia. Sci Rep 10, 1001 (2020). DOI: https://doi.org/10.1038/s41598-020-57735-y

I acknowledge the traditional custodians of the unceded stolen land on which I practice and exist, and I extend my respect towards elders past, present and emerging.

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Victoria Pham © 2025

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