VICTORIA PHAM

Spanning art, technology and science, Victoria Pham is an Australian artist, evolutionary biologist, writer and composer. She is based between Paris and Sydney. Originally trained as an archaeologist, she is a current PhD candidate in Biological Anthropology at the University of Cambridge, St John's College.

Victoria is represented by the Australian Music Centre as an Associate Artist where a collection of her scores are available. She is the Artistic Director of FABLE ARTS, lead artist in the RE:SOUNDING project with James Nguyen, co-lead artist in the collective SONANT BODIES with James Hazel, and host and producer of podcast series DECLASSIFY. 

Her works have been performed, exhibited and commissioned across Australia, the United States of America, the United Kingdom and France. She has been commissioned by and exhibited in a number of galleries and ensembles such as the TATE Britain, the Sydney Opera House, Australian Contemporary Centre for Art (ACCA), Art Gallery of New South Wales, Arts House Melbourne, the Anna Schwartz Gallery, the Melbourne Symphony Orchestra and Campbelltown Arts Centre, amongst others. She has featured as a lead artist in international art festivals, including VIVID (2015-16), TINA (2018), Tilde: New Sounds (2019), BLEED (2020) and ANTIDOTE (2022), amongst others. 

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As an evolutionary biologist and archaeologist, her specialisation is in bioacoustics, the evolution of sound-signalling and acoustic mapping technologies. Victoria has worked with several international museums and institutions such as the Max Planck Institute for the Science of Human History, and has conducted solo fieldwork around the world. 

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Her artistic practice is driven by explorations into the sonic connections across nature; practices of decolonisation and listening deeply. The hallmark of her interdisciplinary practice is her belief that a partnership with Nature is fundamental, and that Nature is a collaborator to her design, research and sound-based work. Victoria continues to pursue her work in biodesign through research into bioacoustics and mycology which inform the cross-form approaches that structure her creative process. This is emblematic in 2023 when she founded biodesign and acoustic ecology studio, EARTHLY FUTURES, based in Paris, France.

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